Piano Technique and Interpretation with Daniela Hlinkova

Daniela Hlinkova

Intermediate

51 videos

With Daniela Hlinková benefit from advices on techniques and interpretation about 29 classical pieces: Mozart, Bach, Haydn, Schubert, Bach, Rachmaninoff, Mozart, Grieg...!

Piano Technique and Interpretation with Daniela Hlinkova

For years the performances of Daniela Hlinková have included composers such as Gideon Klein, Erwin Schulhoff or Vitezslava Kaprálová. Today she delivers a course about the piano technique and interpretation related to classical piano pieces. You will study the pieces by Bach, Mozart, Haydn, Rachmaninoff, Schubert, Grieg…

 

LESSON PRESENTATION - Daniela Hlinkova

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The main concepts taught

Rhythmic Shading and Structure

Rubato

Legato

Fingering

The program proposed by Daniela Hlinková

In this course, Daniela Hlinková gives you piano technique and interpretation advices about famous classical pieces. You will study pieces from Mozart, Rachmaninoff, Say, Kabalevsky, Bach, Chopin, Schubert and Haydn.

She guides her learning method towards fingering, tempo and other important techniques, like glissando, rubato, etc.

ChapterDetailed Notions

Joseph Haydn

 “Sonate B minor” three movements: staccato, trill, ornament; chord, dolce, legato; presto.

Schubert Impromptu

“Impromptu in A sharp minor”: allegretto, fingering and tempo, pedal and crescendo, emotion and tension

Impromptu in G flat minor”: perfection of the rhythmical structure and of the touch, melody and accompaniment, inspiration and feeling.

Russian Piano School

Hand position, folk song…

“These Quint Snowman Without Belly” by Jelena Gnessina.

Frédéric Chopin

“Waltz in A minor Op.34 No.2”: advices about tempo, sotenuto…

“in B minor Op.69 No.2”: rubato, sostenuto…

“Waltz in B-flat minor Op.9 No.1”: chords, crescendo and melody, emotion and tempo…

“in D-flat major Op.64, No.1” (Minuite Waltz): fingering and melody quality, tremolo, octave

“Waltz in C shape minor, Op.64 No.2”

Chopin: his playing style

Johann Sebastian Bach

“Little prelude in C major BWV 939”

“Prelude in C minor BWV 999”

Dmitry Kabalevsky

“Waltz”

“Clowns”

“Galop”

“Toccata”

“Easy Variations Toccata”

Fazil Say

“Piano Sonata No. 11 in A major”: syncope, octave, fingering…

Sergei Rachmaninoff

“Elegie Op. 3 n°1”: bass, legato and leggero, glissando…

Wolfgang Amadeus Mozart

“Rondo alla Turca”: fingering, technique, meter…

Edvard Grieg

“Waltz Op 12, No 2” and “4th variation”

ChapterDetailed Notions

Joseph Haydn

 “Sonate B minor” three movements: staccato, trill, ornament; chord, dolce, legato; presto.

Schubert Impromptu

“Impromptu in A sharp minor”: allegretto, fingering and tempo, pedal and crescendo, emotion and tension

Impromptu in G flat minor”: perfection of the rhythmical structure and of the touch, melody and accompaniment, inspiration and feeling.

Russian Piano School

Hand position, folk song…

“These Quint Snowman Without Belly” by Jelena Gnessina.

Frédéric Chopin

“Waltz in A minor Op.34 No.2”: advices about tempo, sotenuto…

“in B minor Op.69 No.2”: rubato, sostenuto…

“Waltz in B-flat minor Op.9 No.1”: chords, crescendo and melody, emotion and tempo…

“in D-flat major Op.64, No.1” (Minuite Waltz): fingering and melody quality, tremolo, octave

“Waltz in C shape minor, Op.64 No.2”

Chopin: his playing style

Johann Sebastian Bach

“Little prelude in C major BWV 939”

“Prelude in C minor BWV 999”

Dmitry Kabalevsky

“Waltz”

“Clowns”

“Galop”

“Toccata”

“Easy Variations Toccata”

Fazil Say

“Piano Sonata No. 11 in A major”: syncope, octave, fingering…

Sergei Rachmaninoff

“Elegie Op. 3 n°1”: bass, legato and leggero, glissando…

Wolfgang Amadeus Mozart

“Rondo alla Turca”: fingering, technique, meter…

Edvard Grieg

“Waltz Op 12, No 2” and “4th variation”

A word from our teachers

Daniela Hlinková thinks that creativity needs to be promoted from childhood. It is an amazing thing that connects both halves of the brain, emotionally-irrational with the logical mind. We can see it in the music without playing a musical instrument.